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Fresh01
£15.00
Layers of textured blues, from deep cobalt to airy sky tones, blend with hints of white and silver, evoking the crispness of ocean waves or the cool serenity of a fresh morning breeze.
The interplay of light and texture creates a tactile depth, inviting the viewer to lose themselves in its refreshing energy. For me, this piece embodies the feeling of peace, clarity and identifying when to stop.
This piece is built through deliberate layering, controlled material application, and close attention to texture, surface tension, and visual balance. The work reflects an ongoing studio practice focused on physical process, emotional weight, and the quiet complexity that emerges through repetition and adjustment.
The surface holds visible evidence of its making. Layers are applied, interrupted, partially concealed, and re‑worked, creating depth that shifts depending on distance, light, and angle. This gives the painting a physical presence that digital images cannot fully replicate. It exists as an object as much as an image, designed to hold attention over time rather than deliver instant resolution.
This original abstract painting is suitable for collectors seeking contemporary abstract art, textured artwork, and distinctive statement pieces for interiors. It works particularly well in domestic, studio, and professional environments where material richness and visual restraint are valued. The piece integrates naturally into modern, minimal, industrial, and character‑led interiors.
Original Canvas
Presentation: stretched canvas
Year: 2024
Medium: mixed media on canvas
Width: 40cm / 15.7” Hight: 50cm / 19.7”
Fine art prints available in a range of sizes.
Quantity
Original Art & Fine Art Prints Handmade in Oxfordshire
I use a variety of materials in my process. From brushes and pallet knives to cardboard scraps and sticks. My work is largely acrylic paint, whichever brand I can get on offer, and my preffered mediums are either Windsor and Newton or Liquitex.
Once signed and varnished, I photograph my paintings in natural light and crop to standard print sizes, adjusting levels to ensure as accurate a match to the original as possible. Once exported I print on my inkjet Epson P-900 SureColour. Tis a sexy beast.
I print onto a variety of papers, including high gloss and watercolour. My larger prints use satin 260gsm and my extra large prints (A1 & A0) are handled by a top notch local third party printing service I've been working with for years.
